"Hybridisation, condensation, aggregation, fusion, friction, sedimentation, her sculptures and installations emerge as geological phenomena in the age of post-liberalism. A late alchemy of urban pulse, in which the meeting of opposites—natural and artificial; organic and inert; human and non-human—gives rise to scenarios where subjectivity and knowledge find their origin in the most primitive physical nature. Instead of assuming muscular consciousness as a condition that comes after matter, the work of Nuria Fuster is the result of a special empathy with the behaviour of the surface(s) of the world."

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Alejandro Alonso Díaz

Núria Fuster. The wall of the abysm

When Someone Melts a Menhir. 

Notes on alchemy and capital in the work of Nuria Fuster

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