"Hybridisation, condensation, aggregation, fusion, friction, sedimentation, her sculptures and installations emerge as geological phenomena in the age of post-liberalism. A late alchemy of urban pulse, in which the meeting of opposites—natural and artificial; organic and inert; human and non-human—gives rise to scenarios where subjectivity and knowledge find their origin in the most primitive physical nature. Instead of assuming muscular consciousness as a condition that comes after matter, the work of Nuria Fuster is the result of a special empathy with the behaviour of the surface(s) of the world."
Alejandro Alonso Díaz
Núria Fuster. The wall of the abysm
Notes on alchemy and capital in the work of Nuria Fuster